How ‘Star Wars’ Turns People Into CG Characters

Via engadget.com:

Heads-up: spoliers ahead. It’s not shocking to hear that the frequently practical visual effects of Star Wars: The Force Awakens are still loaded with computer graphics, but you might be surprised to know just how much effort went into blending real people with virtual characters and worlds. Both IAMAG and FXGuide have posted clips showing the work involved, and it’s clear that there’s a whole lot more involved than green screens. The highlight by far is the rendition of barkeeper Maz Kanata. Lupita Nyong’o wore a special, patterned suit to let her perform on-set, and performed separate motion capture sessions (using a stereo head rig) to get her expressions down pat. The team also used software to tweak Maz’s facial features after the fact.

There’s more to the videos than that, of course. They show how computer-generated visuals were incorporated into more scenes than you might expect (Finn searching the TIE Fighter crash site, for example). Also, it reveals how even brief moments require numerous effects passes and extreme detail, such as Rey’s scavenging and a dramatic pull-out shot that starts in an X-Wing cockpit. Whether or not you’re a big fan of The Force Awakens’ approach, it’s evident that the team was pushing the limits of what modern CG can do.

THE VOICES OF STAR WARS: THE FORCE AWAKENS

Via Starwars.com:

IN A SPECIAL GUEST POST, STAR WARS: THE FORCE AWAKENS’ SUPERVISING SOUND EDITOR REVEALS MANY OF THE VOICES BEHIND STORMTROOPERS, RESISTANCE PILOTS, AND MORE!

Star Wars films have always had a vast visual landscape. But they also have an equally vast aural soundscape, working in tandem with, and amplifying, what you see onscreen.

Part of Skywalker Sound’s and John Williams’ job is to complement the visuals of Star Wars and enhance the storytelling with a rich audio soundtrack. Just as our sound designers have to create sound effects for new weapons, vehicles, and ambiences, the dialogue department will turn to voice actors to populate these new worlds. And so it was with The Force Awakens.

You may have seen a section in the credits of The Force Awakens titled “Additional Voices,” with some familiar names listed. But who or what did all those familiar names play? I’m happy to finally reveal everyone below, running through the film chronologically. (There are also a couple of actor cameos in there that shall remain nameless (for now).)

Finally, I just want to thank all the voice actors who contributed to the film, including but not limited to those listed below. There are several scenes with layers and layers of voices that we can’t credit individually, but they make sequences come alive, and the film would not be the same without them.

With all that said, enjoy!

— Matthew Wood, Star Wars: The Force Awakens supervising sound editor

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Star Wars Underperforms In China As Cultural Differences Emerge

Via Forbes.com:

Globally, Star Wars: The Force Awakens has generated $1.8 billion (as of Jan. 18) since it opened in North America throughout the month of December 2015. The movie opened in China on Jan. 9 and was top of the box office for two weekends in a row. It ranked No. 2 in opening day revenues, behind the 2015 launch of Fast and Furious 7, a movie that holds other revenue records as well. The Force Awakens did take the top ranking for a movie to have opened on a Saturday night, however. And, it surpassed $100 million in Chinese ticket sales this week (total non-U.S. revenues have exceeded $1 billion thus far).

Disney, the owner of Star Wars as of 2012, benefits from sales of movie tickets, Disney Interactive’s Infinity Star Wars line, licensed products, and digital games.

In China, consumers appear to love the licensed products, moderately enjoy the movie, and are ho-hum about the digital games (though the official Electronic Arts console game Star Wars: Battlefront has yet to be approved or launched in China).

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Star Wars: The Force Awakens has completed principal photography. #TheForceAwakens #StarWarsVII

‘Star Wars’ Passes $100 Million In China

Via Variety.com:

“Star Wars: The Force Awakens” passed $100 million at the mainland Chinese box office on Tuesday (Jan. 19.)

Data from local box office tracking service Entgroup shows the film’s gross exceeding RMB659 million, shortly after 2pm on its 11th day of release. China’s currency has slipped considerably against the dollar in recent months, but at current official rates of exchange that converts as $100.2 million.

The score represents good success for the franchise, which had little exposure in the Middle Kingdom before the current seventh episode. In 2015 eight Hollywood films and 12 Chinese films achieved $100 million.

China was the last territory in the world to open “The Force Awakens,” something that allowed Disney to use some of the international momentum to boost Chinese audience awareness. The studio went to unusual lengths – including lighting up a portion of the Great Wall of China and hiring a local pop star as brand spokesman – to maximize recognition and awareness. The release is handled by China Film Group and Huaxia Distribution.

The picture opened on a Saturday (Jan. 9) and broke records with a $53 million opening weekend. Since the initial weekend, the performance has slowed considerably. It appears to be holding well on weekdays, but was beaten into second place over the weekend just gone.

Why Composer John Williams Knows More About Star Wars Than You Do

Via Kotaku.com:

John Williams knows more about Star Wars than you do. I mean, not in the ‘who was R5-D4’s original manufacturer in the Expanded Universe’ sort of way. I mean narratively, and emotionally.

It’s fair to say that while The Force Awakens has been received with near universal acclaim (as Metacritic would put it), the reception for John Williams’ score has been a little more guarded. It’s a hard bar to hit—some of the best film music of the twentieth century was written by Williams for a Star Wars movie, after all.

It’s true, The Force Awakens score offers little in the way of memorable new melodies. I’m a film score tragic, and it took even me several listens to fully embed Rey’s Theme, the major new melody from the film, into my mind.

Yet there’s something more complicated going on here. Far from John Williams losing his spark, what I think we’ve got with The Force Awakens is something deeper, something more complex than we’ve come to expect from Star Wars.

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‘Star Wars’ Creatures Feature Heavily In ‘Force Awakens’

Via USAtoday.com:
Aliens, creatures and droids are as much a part of Star Wars movie lore as starships, lightsabers and Death Stars.

Neal Scanlan, the Oscar-winning creature-effects supervisor for Star Wars: The Force Awakens, created 110 decidedly colorful non-human characters for the blockbuster seventh movie in the saga. A few play key roles and the vast majority are akin to cosmic window dressing, but Scanlan made sure to give all 110 of them names and backstories.

“There were certain aliens that we made than, even during the shooting process clearly transcended from being just a background alien to having an authority or likability,” explains Scanlan, part of the Force Awakens team nominated for a visual-effects Academy Award this year.

“Should the human race of Star Wars die tomorrow, any one of these characters could take the mantle and become the next species that dominated the universe.”

George Lucas’ original Star Wars movie trilogy had a certain tangibility in its world but also a sense of familiarity with its aliens, according to Scanlan — folks like the green-skinned bounty hunter Greedo or Jabba the Hutt’s little monkey-lizard buddy Salacious B. Crumb became cult favorites in fandom.

Some in The Force Awakens have the same potential: BB-8 of course is the droid of the moment, but the movie also offers blubbery Jakku junk boss (Simon Pegg), Beastie Boys-inspired X-wing pilot Ello Asty, and Captain Ithano, Quiggold and the rest of the crew at Max Kanata’s castle on Takodana, the pop-culture successor to the Mos Eisley cantina.

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‘Star Wars: The Force Awakens’ Crosses $1B At International Box Office

Via Deadline.com:

In its 5th offshore frame, Disney/Lucasfilm’s Star Wars: The Force Awakens has become only the 5th film ever to cross $1B at the international box office. This is also the first time Disney has rounded that bend. The overseas take this weekend was $47.3M, lifting the cume to $1,012.6M. The global total is now $1,863.7M.

Notably this frame, Germany crossed the $100M mark with $100.1M to date. This is the 3rd global market to get to the milestone, behind the U.S. ($851M) and the UK ($168.6M).

In China, TFA will get to $100M within the next day or so, standing currently at $95.2M and overtaking France ($80M) as the space epic’s No. 3 offshore market. With an estimated $20M weekend, it continued to hold onto the No. 1 spot again in its 2nd frame despite the introduction of popular animated threequel Boonie Bears III and another local title, Royal Treasure.

Japan is the No. 5 overseas territory and has held No. 1 again in the 5th frame with a $73.5M cume.

Earlier this week, TFA became the No. 5 movie ever at the international box office, passing Harry Potter And The Deathly Hallows Part 2. When Monday’s numbers are added, it should move up another notch to No. 4, stomping on Jurassic World‘s $1,016.7M. But in order to get to No. 3 and pass Furious 7, it would have to shift roughly another $150M.

Globally, JJ Abrams’ continuation of the saga is still the No. 3 title of all time, behind Avatar and Titanic. There are now some $317M separating it from James Cameron’s sinking ship epic. However, if only the original run of Titanic were included, and not the $348M-grossing 3D re-release, TFA would have have sailed by it this weekend by a little over $31M.

Rey’s Instant Bread Wasn’t CGI — It Was Totally Real

Via Mtv.com:

 
More than any other fictional world we’ve fallen in love with as fans, “Star Wars” has always been the most remarkable when it feels worn out and completely lived-in. We might long to take a trip to the stately halls of Hogwarts in “Harry Potter” or the gorgeous city of Rivendell in “The Hobbit” — but when it comes to “Star Wars,” the grimier and weirder it is, the better. Why else would we love that grubby cantina from “A New Hope” so much?

That’s probably why one of the smallest, littlest details at the beginning of “Star Wars: The Force Awakens” still has fans totally reeling in shock and delight even a month after the movie — that’s the instantly-rising greenish loaf of bread that Rey (Daisy Ridley) earns and eats while living on Jakku. Seriously, everybody on Twitter wants to know what it’s made out of, and more importantly, what it tastes like.

But such an effect couldn’t possibly have been accomplished practically, right? They totally CGI-ed that bread into existence, didn’t they? Wrong, says special effects supervisor Chris Corbould, who spoke with MTV News about what went into making that single moment.

“Surprisingly that was done practically, although so many people have said to me, ’we thought that was a digital effect!’” Corbould said.

The idea for the bread (which, according to the “Star Wars” visual dictionary, is part of a dehydration ration pack scavenged from Republic and Imperial military supplies) came from director J.J. Abrams himself, and it was actually a huge task considering that you only see it on screen for three or four seconds.

“You wouldn’t believe how long it took to actually perfect that one, that little tiny gag in the film,” Corbould said. “It started off with the mechanics of getting the bread to rise and the liquid to disappear, but then there was the ongoing problem of what color should the bread be? What consistency should it be? Should it have cracks in it? Should it not have cracks in it?”

“It took about three months,” he added. “The actual mechanics of it was fairly simple, but the actual cosmetic side took a lot longer.”

But in case you’re one of those people clamoring for a home version of Rey’s food portions, don’t get too excited — the bread might have been a real practical effect, but it also tasted terrible and probably had next to no real nutritional value.

“No, you wouldn’t want to eat it!” Corbould admitted.

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‘Star Wars’: BB-8’s Thumbs Up Moment Almost Didn’t Happen

Va Mtv.com:

BB-8 had already stolen the Internet’s heart (and all of its money) long before “Star Wars: The Force Awakens” hit theaters last month, but there was one moment during the film that shocked and delighted every single person in the audience: when Finn gives the little droid a thumbs up and he responds with one of his own.

But believe it or not, that scene wasn’t part of the original plan for “The Force Awakens,” says special effects Neal Scanlan, who leads the “Star Wars” creature shop and was tasked with bringing BB-8 to life.

“It was never in the script,” Scanlan admitted. “It was probably something that J.J. either came up with on the day, or certainly came up with later.”

While there is a real BB-8 droid who exists and regularly walks the red carpet with the rest of the “Star Wars” cast, there were parts of BB-8’s performance that couldn’t be achieved with puppets and physical droids alone, so the crew used a combination of practical effects and digital effects to bring him to life.

“Neal built a real BB-8 and he was puppeteered through the movie, but obviously there were moments that practically we couldn’t achieve — like him rolling around inside of the corridor of the Millennium Falcon, set moments where he was moving pretty fast across the desert, or something like that,” said Roger Guyett, the visual effects supervisor at Industrial Light and Magic.

“So we built a digital version of him, too, and now in the movie you’ve got probably a quarter of the shots that are digital. Because we built the real thing, we were able to match really well to the practical version of him. And of course, [director] J.J. [Abrams] could direct him like a real character, so the most important thing was that his character was so well developed by having a real puppet.”

So what about that thumbs up moment? Unfortunately, the “real” BB-8 doesn’t have a lighter stowed away inside of him — but he was certainly there on set that day, and everything but the lighter is real.

“I think the reaction that BB-8 has to Finn would have been a practical effect that we shot on the Milennium Falcon, but the reaction to the thumbs up is something that definitely came later in the day,” Scanlan said.

“That thumbs up moment is exactly that,” confirmed Guyett. “I think it’s a real BB-8 and then we inserted a CG panel and its arm that came out. So all of his tools, if you like, when he fires his wires and he does that stuff, that’s sort of digital CG.”

Click below to read the full article.

lighter

Star Wars TFA Rey Collectible Figure Update

Via Hot Toys:

Hey Star Wars fans, Hot Toys’ highly detailed 1/6th scale collectible figure of Rey featuring the remarkable likeness of the talented Daisy Ridley has received many great feedbacks since its official introduction!

Today we are very excited to share great news with you all on the updates we have for this amazing collectible figure! The desert gear head wrap with goggles can now be freely put onto Rey’s headsculpt to provide an additional look for our beloved scavenger or have the head wrap cover the whole face to reenact the opening scene of the movie!

Furthermore, Luke Skywalker’s lightsaber will now be included for Rey as a bonus accessory (This lightsaber does not contain LED light-up function).  Fans who have pre-ordered this collectible figure (or the Rey and BB-8 Collectible Set) will be able to enjoy all these upgrades, and for those who haven’t done so yet, be sure not to miss out on adding Rey to your Star Wars collection!

‘Star Wars: The Force Awakens’ nominated for 5 Oscars

Via Examiner.com:

The Oscar nominations were announced Thursday morning and “Star Wars: The Force Awakens” was nominated for five awards. John Williams was nominated for best original score but faces a tough challenge as Ennio Morricone is the favorite and already won the Golden Globe in this category. Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould were nominated for Best visual effects and they have a good shot at taking home the award as most critics seem to agree that “Star Wars: The Force Awakens” was visually stunning.

Maryann Brandon and Mary Jo Markey were nominated for best film editing and Andy Nelson, Christopher Scarabosio and Stuart Wilson for best sound mixing. The final nomination were to Matthew Wood and David Acord for best sound editing.

“Star Wars: The Force Awakens” did not earn a nomination for best picture as the academy only selected 8 movies this year, they have the ability to select up to 10. You can see a full list of all the nominees here. “Star Wars: The Force Awakens” is already the all time highest grossing film in the United States and also holds records for fastest to $100 million (all the way to $500 million), opening day gross, single day gross and about 25 more. For a full list of these milestones, check out www.boxofficemojo.com.

Star Wars: The Force Awakens has completed principal photography. #TheForceAwakens #StarWarsVII