J.J. Abrams On The Blu-ray Release Of TFA

Via Ew.com:
It’s still Star Wars: The Force Awakens Blu-ray week. (Last Thursday’s Rogue One trailer threw a monkey wrench into the hyperdrive compressor, so we held the final two installments for this week.) With the disc set now on sale, Entertainment Weekly is featuring five days of new behind-the-scenes stories from director J.J. Abrams. Here’s the fourth installment…

Real machines. Real explosions. Real people in alien costumes.

In the build-up to the release of The Force Awakens, J.J. Abrams and his team went to great lengths to stress that they were crafting this new Star Wars movie using a lot of old-fashioned techniques.

For today’s Blu-ray story we’re presenting a Soundcloud podcast of our Behind the Scenes radio hour with Abrams and his two teams of visual effects artists: the practical side (who manufactured vehicles and creatures and set off fiery detonations), and the digital side (who created planets, starships, and erased the wheels and wires that the practical effects so impressive).

Along the way, they reveal hidden references, Easter eggs, and surprising little touches to watch for on repeat viewings.

If you thought you knew what was real and what was fake … you were probably wrong.

Plus, Abrams himself talks about how he assembled the Blu-ray release documentaries and deleted scenes, and reveals some new details and interpretations of the story. He also tells the heartbreaking story of showing the unfinished film to dozens of terminally ill Star Wars fans who weren’t expected to survive until the debut.

Click below to listen to the podcast.

2016-04-12 11_17_46-Star Wars_ The Force Awakens - Blu-ray podcast by Anthony Breznican _ Free Liste

Star Wars: The Force Awakens – Digital HD

2016-04-11 23_21_27-Watch Star Wars_ The Force Awakens _ Disney Movies Anywhere

Download Star Wars: The Force Awakens on Digital HD anytime you want via Itunes, Amazon Video, VUDU, Google Play and More!  Click here for a preview and options via Disneymoviesanywhere.com!

The Digital copy contains everything the Blu-ray does and in fact has some deleted scenes  that the Blu-ray does not contain. Those with the Blu-ray would have to use the included code to go online and watch certain scenes.  The 15 bonus features available with purchase, include:

Secrets of The Force Awakens: A Cinematic Journey
Blueprint of a Battle: The Snow Fight
ILM: The Visual Magic of the Force
Building BB-8
Crafting Creatures
The Story Awakens: The Table Read
Deleted Scene: Finn Will Be Fine
Deleted Scene: Finn and the Villager
Deleted Scene: Kylo Searches the Falcon
Deleted Scene: Snow Speeder Chase
Deleted Scene: Tunnel Standoff
Deleted Scene: Jakku Message
Deleted Scene: X-Wings Prepare for Lightspeed
John Williams: The Seventh Symphony
Force for Change

You can watch on your Phone, Tablet, PC, Gaming Console, Smart TV and more!  Check out some images of a promotional version of the movie I received, this will be a welcome addition to my Star Wars promo collection!

Photo Apr 11, 11 08 53 PM

Photo Apr 11, 11 09 24 PM

Photo Apr 11, 11 09 05 PM

As an added bonus, if you are a Disney Rewards member, you will earn 150 points for HD and 100 points for SD when you add this movie to your Collection via Disneymoviesanywhere.com!

Lots Of Terminally Ill Fans Saw Star Wars: The Force Awakens Before Release

Via Ew.com:

Periodically, in the run-up to the debut of The Force Awakens, word would get out that a gravely ill fan who was not expected to live until the release date had asked Lucasfilm for a glimpse of the rough-cut.

In the case of Daniel Fleetwood, a 32-year-old Texas man battling a connective tissue cancer called spindle cell sarcoma, a hashtag made the rounds on social media: #ForceForDaniel. The studio and filmmakers didn’t comment on these situations publicly, but in his case some of the actors got behind it and shared the hashtag.

In July of last year, Fleetwood was given two months to live. He beat that prognosis by a few months, passing away in his sleep on Nov. 10. Just five days before that, he was shown a rough version of the movie.

When J.J. Abrams was asked about his favorite fan encounters during his experience with The Force Awakens, he had an unexpectedly serious answer, and talked about people like Fleetwood, whose dying wish was to see the story he and his crew were trying to finish in time for the Dec. 15 debut.

And the filmmaker revealed something unexpected — there were many terminally ill people who got to see the film early.

“You know, there are a lot of examples of passionate and excitable people but the most, I think, profound experience was that in the time before the movie came out — about a month before — we had a couple people go around to those fans who were not going to survive because of terminal illness until the movie came out,” Abrams said. “The movie was screened probably two dozen or so times to various people who, tragically, were struck with illness that would prevent them from seeing the movie otherwise.”

Not only would a representative from Lucasfilm and Abrams’ Bad Robot production company travel to the patient’s home or hospital to show the film, but the director himself would call to introduce it.

“I would speak with these people before and after,” Abrams said. “Sometimes they were adults and other times they were children and it was always… it was the most profound thing to be reminded in such a clear and wonderful and heartbreaking way how important this world was that George Lucas created, what it meant to these people.”

Some were children. Some were adults who had simply loved Star Wars since they were children.

“It was a reminder to all of us how what we were doing was really important to so many people,” Abrams said. “It was also a reminder about what was important in life with all the pressure and everyone always asking, ‘Oh, how do you deal with the pressure?’ Then you talk to someone who’s going through something like this, or a family member who’s going through something like this, and you very quickly realize that this pressure [of making the movie] is nothing. This pressure is a luxury. And that was probably the most impactful type of experience with a Star Wars fan.”

Although Abrams seldom talks about it, this kind of experience is not new to him. Abrams granted a similar wish for a dying fan in 2013, arranging for a Star Trek fan with terminal cancer to see Star Trek Into Darkness before it was released. That man also died just days after seeing the film. Sources close to Abrams say there are many other stories like this that remain private.

While we know about Fleetwood because his family was public about their request to see the film, most of the requests happened quietly and the fans and their families remain unknown. “We didn’t want it to turn into a publicity stunt,” Abrams says. “This was a quiet thing we were doing for people who will remain anonymous but it was you know… the exchanges and the conversations that we all had with these families and these people were really moving.”

Abrams also had his share of unabashedly happy fan encounters. “I mean, it’s hard to go to Comic-Con and see so many people who are so deeply connected to and so passionate about this universe and single anyone out,” he says. “There are so many people… My favorite ones are the little kids who you feel are almost too young. Who are, like, three. You think there’s no way that they really care so much. It must be their parents who are fans.”

But… they usually surprised him. “Then they talk to you about the characters, they ask you questions about BB-8. Or there’s a little girl at an airport who’s dressed as Rey who is clearly a fan herself, and you realize how young and how painfully adorable some of these kids are,” Abrams says. “Hearing about kids fighting, boys and girls fighting over who gets to play Rey when they play Star Wars. Things like that make me so happy.”

The Blu-ray combo pack includes a featurette dedicated to the fans, focusing on the Force For Change charity drive, which raised approximately $10 million for UNICEF. “It was very important to me that we do a piece on the Force for Change because I thought that was a really wonderful aspect of the production and post of this movie,” Abrams says. “That was really because of the fans and I thought the work that they did deserved to be talked about, too.”

With Episode VIII currently shooting, a new Force For Change campaign has just begun, with one of the first prizes for donors being a trip to Skellig Michael, the real-life Irish island used as the location of the Jedi temple where Luke Skywalker is found in exile. Check out the details at CrowdRise.com/ForceForChange.

Star Wars: The Force Awakens has completed principal photography. #TheForceAwakens #StarWarsVII

‘Star Wars: The Force Awakens’: Its Record-Breaking Box Office Run

Via Forbes.com:

Star Wars: The Force Awakens is now available to own on VOD, DVD, and Blu-Ray. So, to celebrate this merry occasion, I wanted to do something of an audit of the film’s record-smashing domestic box office performance. So without further ado, here we go…

Star Wars: The Force Awakens opened on Thursday night on the 18th of December with a record-breaking $57 million in Thursday previews. It then followed that up with a record-high $119.1m Friday. Said “pure” Friday (the Friday gross minus the Thursday previews) placed second only to Jurassic World‘s $63.4m Friday figure ($81.9m – $18.5m). It then made a $68.294m on Saturday, which was the third-biggest Saturday ever (behind The Avengers‘s $69.5m and Jurassic World‘s $69.6m) and a record $60.5m. Its record-breaking opening weekend was $247.9m, or $39.1m higher than Jurassic World‘s $208.8m debut from six months prior.

The Walt Disney blockbuster than earned $40 million on its first Monday and eventually $31.3m on its second Monday, thus earning the top-two Monday grosses in its fourth and eleventh days of release. Its first Tuesday ($37m) was the top Tuesday of all time while its second Tuesday ($33m on day 12) was the third-best Tuesday save The Amazing Spider-Man which opened on a Tuesday with $35m back in July of 2012.

Because of the sheer number of Wednesday openers, The Force Awakens‘s $38m day six was merely the sixth best Wednesday of all time, while its second Wednesday (day 13) was the twelveth best Wednesday gross with $28m. In terms of Wednesday grosses that weren’t the first or second day of release, those two figures trumped any prior Wednesday performance. And again the surplus of Thursday opening days put the all-time record out of reach, with a $27.3m Thursday ranking at 6th place and that second ($22m) Thursday ranking at 11th place. In terms of Thursdays that weren’t day one or day two, the next biggest was Jurassic World‘s $17.822m day-7 gross.

And The Force Awakens ended its first week with $395m domestic, having notched the best “x-day total gross” throughout its first ten days of release. Speaking of which, that second weekend earned a whopping $149m, easily the best non-opening weekend of all time and a figure that would’ve been just above the $147m opening weekend of Furious 7 as the 13th biggest “opening weekend” had it been the debut frame.

Click below to read the full article.

Hasbro FAN FIGURE PHOTO SERIES – #HasbroToyPic

2016-04-06 23_21_34-Photo-Apr-05-7-25-26-PM-e1459999059237.jpg (2448×2448)

Hasbro is launching the first #StarWars #HasbroToyPic Fan Figure Photo Series and are calling on fans to show off their amazing collections and creativity by recreating scenes from Star Wars: The Force Awakens using Hasbro’s Star Wars figures and vehicles.

Running now and though Thursday, May 4th (May the Fourth), all photos posted to social using #StarWars and #HasbroToyPic will be considered for inclusion in aStar Wars: The Force Awakens Figure Photo Timeline in the Hasbro booth at San Diego Comic Con. Credit will be given to all creators within the Timeline display.

You’re the only hope in helping to highlight the Star Wars community’s amazing creativity, incredible figure collections, and passion for the franchise! Whether you root for The Resistance or defend the dark side, we hope you enjoy reliving all the action and adventure of Star Wars: The Force Awakens and that you’ll participate in the #StarWars #HasbroToyPic Fan Figure Photo Series.

For inspiration, click here for several background scenes including Jakku, Starkiller Base, and Takodana.  Check out the very cool promo package that was sent to fan sites to kick off this promotion!

Photo Apr 05, 7 27 59 PM

Photo Apr 05, 7 25 50 PM

Photo Apr 05, 7 26 42 PM

J.J. Abrams On Mark Hamill’s Secret Role In The Force Awakens Table Read

Via Ew.com:
It’s Star Wars: The Force Awakens Blu-ray week. With the disc set going on sale Tuesday, Entertainment Weekly is kicking off five days of new behind-the-scenes stories from director J.J. Abrams.

EPISODE I – The Phantom Reader

The first glimpse into the production of The Force Awakens was the start-of-production cast announcement, which came with a black-and-white image featuring veteran cast members arrayed in a circle with newcomers, while R2-D2 watched from the confines of a nearby shipping crate.

“It was a momentous thing for the new actors,” Abrams recalls. “We were not just coming together but we were going to be reading alongside the existing cast. It was…you could feel it in the air, the moment. It was exciting because we felt like it made it real in a weird way.”

There were seasoned Star Wars warriors Harrison Ford, Carrie Fisher, Anthony Daniels, and Peter Mayhew alongside Daisy Ridley, John Boyega, Adam Driver, Andy Serkis, Domnhall Gleason, and Oscar Isaac.

Even Mark Hamill was there – but doing … what exactly?

After the “Where’s Luke?” question proved to be the central plot of the film, and fans discovered that the actor had only a silent appearance at the end, it’s easy to question why Hamill was there.

Abrams has a simple answer for that: Deception.

“It was partly trickery,” the director tells EW. “We knew, obviously, that he didn’t speak in the film. And because we knew we were going to take pictures, and people knew he was in the movie, we needed to have him there.”

“It is a pretty herculean task, to ask an actor to read a hundred and twenty some pages aloud over the course of two plus hours,” says Abrams. But Hamill has become just as famous over the years for his voice-acting, most notably as The Joker in many of the DC Comics animated films, games, and TV shows, so he was ready to talk at length — especially since he wouldn’t get to onscreen.

“I almost felt guilty,” Abrams said. “And yet it also felt so right and I hoped that he would say yes. He immediately said, ‘Of course.’” Not only did it give Hamill a part in the script, but everyone got to hear the story told from the voice of Luke Skywalker, which added an extra layer of emotion.

“It was a way of having [him] be part of every scene, every moment, not just spiritually or thematically or narratively, but actually,” Abrams says. “Having his voice in it made the read through a better experience for everyone.”

Kylo Ren’s Strange Table Of Ashes In Star Wars: The Force Awakens

Via Ew.com:

It’s Star Wars: The Force Awakens Blu-ray week. With the disc set going on sale Tuesday, Entertainment Weekly is featuring five days of new behind-the-scenes stories from director J.J. Abrams. Here’s the second installment…

EPISODE II – The Ashes of History

Despite multiple viewings, endless discussion, and micro-analysis of nearly every aspect of Star Wars: The Force Awakens, there remain a few unanswered questions.

One of them: What was that table full of ashes where Kylo Ren rested his helmet?

The answer was delivered almost by happenstance when director J.J. Abrams was talking with Entertainment Weekly about deleted scenes from the film.

“Sometimes bits and pieces of one scene end up being something that you use in another scene that you didn’t expect,” Abrams explained in a recent interview. “That’s always kind of fun, when you realize that something you’ve shot actually has a use you didn’t expect.”

Asked for an example, Abrams pointed to the scene in Starkiller Base where Adam Driver’s Kylo Ren is interrogating Daisy Ridley’s Rey and finally takes off his mask. The moment where he puts his mask down into that table of ash was meant for an early sequence.

“The backstory is, that that table has the ashes of the enemies he’s killed,” Abrams says. “That moment was actually shot for, and meant to be used in, the scene where he was talking to the Vader mask.”

In other words, that table of ash was originally in Ren’s private quarters. And the fact that he incinerates and preserves the remains of his foes adds a new, eerie dimension to his Dark Side nostalgia — and hoarding tendencies.

It also means we almost saw Driver’s face much earlier in the film, when he stares into the molten mask of Vader and vows to finish what his grandfather started.

“He originally had his mask off the first time we shot that scene. Then we reshot it with his mask on, but we had that shot which I loved and thought was so cool of the mask being slammed down into that ash,” Abrams says. “So that shot was stolen from the scene that we had changed and put into the scene with Rey.”

In drafts of the script, Ren always removed his mask to show his face to Rey. The only difference was what he did with the helmet once it was off. (We can all relate to that awkard interrogation situation: Where do you place your terrifying black visor after revealing the unexpected humanity beneath?)

“He used to place his mask gingerly onto a piece of the set, which was incredibly unimpressive,” Abrams says with a laugh. “So this moment made it a much cooler beat.”

So, sadly no, that was not the litterbox of General Hux’s cat, Millicent.

Of course, the solution to one Star Wars question simply leads to new unresolved ones…

Just whose ashes are gathered atop that table?

STAR WARS 360

Via Starwars.com:

STEP INSIDE REAL STAR WARS STARSHIPS — THANKS TO STARWARS.COM’S PANORAMIC PHOTOS!

In celebration of the home video release of Star Wars: The Force Awakens, StarWars.com presents Star Wars 360: a new series of omni-directional, panoramic photos taken from actual sets during the production of the film. In the photos below, you can enlarge to full-screen mode, click and drag to look in any direction, and zoom in or out.

Click below to check this out!

Neal Scanlan On Creating The Creatures In TFA

Via Ign.com:

Recently, I got a chance to speak with Neal Scanlan, who was the creature shop head of Star Wars: The Force Awakens (and now Rogue One and Episode VIII).

During our chat, we covered a wide range of topics, including the creation of Supreme Leader Snoke as well as adding more Legacy characters to future movies.

Below, Scanlan talks about Maz Kanata’s puppet origin, the castle patrons, and The Force Awakens’ most challenging creature to make…

IGN Movies: Maz Kanata’s castle was obviously a major creature set piece. When you first read that scene, did it seem daunting to you, or was it more like, “Okay, now we really have a chance to stretch our legs and play”?

Neal Scanlan: Exactly the latter. I mean, any challenge like that is fun. Of course, it’s daunting. It’s daunting from the practical perspective, but we all worked on a limited timeframe and with budget restraints. There are all of those things that come into it. But I think the idea of being able to say, ‘Here is a forum which allows us to use as many different techniques as we want, from hand puppets to people in costumes to people in prosthetics to rod puppets — I mean, it was just a play field for me and my team. We really did enjoy Maz’s world and creating it.

IGN: I read in the Art of The Force Awakens book that Maz was originally going to be a puppet. What were some of those designs like before you decided to go full mo-cap?

Scanlan: They were very similar. Maz was a long design process, and I think that it was the first character we started on, way before we started on any others, because it was so important to J.J. But I think the reason we decided to go to CG was that — and it may not be completely evident from the film — but Maz’s development within J.J.’s mind and in the script, her role sort of grew. Certainly emotionally, it grew, and we felt there was a point where, in order for her to fully succeed and to liberate her from any constraints, to go to a CG version would mean that indeed. It also allowed us to continue to think and talk about Maz, even after we shot the scenes that Maz was in.

Click below to read the full article.